In Montréal, the newlyweds delay the satisfaction of my hunger. The duo drifts forward down Rue Saint-Sulpice, not more than one hundred steps outside the Notre-Dame Basilica with its archways and neon blues and vaulted ceilings tumbling with 24-karat…
Each year we are privileged to be able to nominate work for anthologies and awards including Best of the Net, Best Microfiction, Best Small Fictions, the PEN/Robert J. Dau Short Story Prize for Emerging Writers (Best Debut Short Stories), and…
In Montréal, the newlyweds delay the satisfaction of my hunger. The duo drifts forward down Rue Saint-Sulpice, not more than one hundred steps outside the Notre-Dame Basilica with its archways and neon blues and vaulted ceilings tumbling with 24-karat…
How Alexander Weinstein establishes experiential reality right off the bat As much as we love being immersed in the expansive world of a novel, story collections have a notable advantage over novels: variety of characters, circumstances, themes and, crucially…
I can’t recall why I first picked up the old hardback copy of Donald Barthelme’s Sixty Stories at the Akron Public Library. The cover was creased, the color of chimney smoke, speckled with sticky black dots and abrading at…
Suzanne Grove: On your list of “Seven Deadly Sins: Common Errors,” creating false suspense via the withholding of information earns the second spot. I appreciate the distinction you make between what you call “plot questions” and questions that tease…
When flash fiction works in fabulist ways “The speed is exhilarating,” Philip Pullman says of fairy tales in Daemon Voices: On Stories and Storytelling, a collection of his perspectives on literary craft. Indeed, in little to no time at…
If something nearing a primal pleasure skitters high up beneath your ribs and low in your gut when you read the first page of a story—if you experience a flume of anticipatory longing for the ways in which diction…
Madeline Anthes, Now We Haunt This Home Together “Missing girls. Bad men. Houses haunted by memories and loss and sometimes actual ghosts. In Now We Haunt This Home Together, Madeline Anthes writes what it is to be a woman in…
Joy Castro grew up in Miami, London, and West Virginia, and lived in Texas and Indiana before settling in Nebraska, where she is the Willa Cather Professor of English and Ethnic Studies at the University of Nebraska-Lincoln and directs…
