THE CLASSROOM CORNER
We often hear from creative writing instructors that they find CRAFT to be very useful in the classroom. We listened, and we've made this corner as a quick resource, a curated list of some of our favorites. This list is NOT exhaustive—our pages are full of short fiction, flash fiction, creative nonfiction, critical essays, interviews, roundups of all things literary, and more. This is a handy place to start!
We will continually update this list, so check back when making those syllabi, and for quick inspiration anytime.
The Semantics of Belonging: Asian American Identity and Cost of the American Dream in Ling Ma’s SEVERANCE
By Khushi Daryani • “Only in America do you have the luxury of being depressed,” claims Ruifang from Ling Ma’s Severance (Ma, 226). A recently resurfaced novel due to its uncanny similarity to the global pandemic, it contains several…
Read More
Hybrid Interview: Cheryl Pappas
Essay by Kristin Tenor • There is a certain longing found within Cheryl Pappas’s debut flash fiction collection, The Clarity of Hunger. The sixteen pieces included in the collection, many previously published in well-established literary journals such as The…
Read More
Art of the Opening: Tyler Barton
From a distance, you can see the lights. The air is mosquito-thick, damp. The usually desolate backroads of Butler County, PA have become a caravan of motor enthusiasts. From the grassy shoulder, a deer struts with meticulous posture as…
Read More
Shaping, Containing, and Dissecting Emotion in Kristen Radtke’s SEEK YOU
By Stephanie Trott • I learned to love long-form graphic narratives during a time often associated with loneliness: college. Neither wunderkind nor department darling, I often felt an imposter in my undergraduate English classes and struggled to determine one…
Read More
Interview: Robert Lopez
Robert Lopez’s fiction delves deep into those devastating moments which bring into question how it is we survive this strange, oftentimes volatile, experiment we call life. His characters are real people with real problems, many of them confused as…
Read More
Classics in the Maze: Michael Ende’s THE MIRROR IN THE MIRROR: A LABYRINTH
utque ope virginea nullis iterata priorum ianua difficilis filo est inuenta relecto —Ovid, Metamorphoses Das stammt alles aus anderen Zeiten. —Michael Ende, Der Spiegel im Spiegel. Ein Labyrinth Essay by Tamara Beneyto • Writer Michael Ende is mainly…
Read More
On (Not) Tracking Movement
By Mike Goodwin • Part I: In Action On its own, readers see a sentence like the opening of Raymond Carver’s “The Bath” which reads, “Saturday afternoon the mother drove to the bakery in the shopping center,” and react…
Read More
Hybrid Interview: Matt Bell
Essay by Jesse Motte • Matt Bell’s new novel, Appleseed, explores the climate-disaster subgenre through an interlocking system of storytelling whereby myth, legend, and Bell’s own originality converge. The novel follows three characters as they navigate the spaces between…
Read More
Flesh and Blood Ideas in J.M. Coetzee’s ELIZABETH COSTELLO
By Maggie Kast • When I’ve given a character my own thoughts on a subject close to my heart, I’ve heard critiques of my writing like, “Sounds authorial,” or, “Your character wouldn’t say that—those are your ideas.” Explication by…
Read More
The Second Iceberg Theory
By Matthew Duffus • Every fiction writer I know is familiar with Ernest Hemingway’s “Iceberg Theory,” explained most succinctly in Death in the Afternoon, his nonfiction book on bullfighting: “If a writer of prose knows enough about what he…
Read More