THE CLASSROOM CORNER
We often hear from creative writing instructors that they find CRAFT to be very useful in the classroom. We listened, and we've made this corner as a quick resource, a curated list of some of our favorites. This list is NOT exhaustive—our pages are full of short fiction, flash fiction, creative nonfiction, critical essays, interviews, roundups of all things literary, and more. This is a handy place to start!
We will continually update this list, so check back when making those syllabi, and for quick inspiration anytime.
Hybrid Interview: Matthew Salesses
Essay by Candace Eros Diaz • The first sentence of Matthew Salesses’s Craft in the Real World reads, “[T]his book is a challenge to accepted models of craft and workshop, to everything from a character-driven plot to the ‘cone…
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More than Mere Oblivion: Alexander Trocchi’s CAIN’S BOOK
By Peter Selgin • Like rock stars, some novelists are eaten alive by their ardent fans. Embraced by severely circumscribed subcultures, their best performances are transformed from works of art into manifestoes, and cease to be read by ordinary…
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Interview: Joy Castro
Joy Castro grew up in Miami, London, and West Virginia, and lived in Texas and Indiana before settling in Nebraska, where she is the Willa Cather Professor of English and Ethnic Studies at the University of Nebraska-Lincoln and directs…
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Lessons from Julia Otsuka’s WHEN THE EMPEROR WAS DIVINE
By Kim Lozano • I’m a slow reader. I sometimes pluck a book from the shelf based not on whether its subject matter appeals to me, but whether or not it’s skinny or fat. So when I recently read…
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Art of the Opening: First Line Versus Last Line
“Which is harder: the first sentence or the last?” Several years have passed since the 10-Minute Writer’s Workshop ended, but this podcast series still feels fresh, thanks to its punchy format of lightning-round Q&A with authors that briefly yet meaningfully…
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When Everything Is Too Big, Write Small: Grounding in Micro Memoir
By Deirdre Danklin • In the morning, the cat puts her nose on my nose and meows. My husband gets up, feeds her, and makes oatmeal. I stare at the ceiling and don’t think anything. Then it’s: Get up, brush…
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Hybrid Interview: Tara Isabel Zambrano
Essay by Kristin Tenor • Virginia Woolf writes in her novel Orlando: A Biography: “Nothing thicker than a knife blade separates happiness from melancholy.” Perhaps the same might be said by the characters inhabiting Tara Isabel Zambrano’s debut short…
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A Closer Look: GOING SHORT
By Amy Barnes • Nancy Stohlman’s bio reads: Writer, Professor, Performer. Her new craft book, Going Short: An Invitation to Flash Fiction, explores aspects of flash fiction including inspiration, writing, editing, workshopping, the form, collections, and an index of…
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Hybrid Interview: Chloe N. Clark
Essay by Jesse Motte • In a period of world history characterized largely by mandated physical distancing, Chloe N. Clark’s debut collection, Collective Gravities, is an important reference for navigating inner and outer spaces. The collection, driven by character…
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For Better or Worse: On the Failure of the Stand-Alone Excerpt
By Maria Cichosz • The first time I tried to turn part of my novel into a publishable excerpt, I immediately knew it was hopeless. I had just finished working on one novel and was deep into another, having…
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