CRAFT
Free Indirect Speech
By Laura Nicoara • So she would still find herself arguing in St. James’s Park, still making out that she had been right—and she had too—not to marry him. For in marriage a little licence [sic], a little independence there…
Read MoreThe Art of Time in David Gates’s “Banishment”
By Amber Wheeler Bacon • David Gates doesn’t recommend flashbacks to new writers when he’s teaching fiction. When line editing a student’s piece, he cuts pretty much every flashback he sees. I know because he cut plenty of mine when…
Read MoreDaisy Johnson’s Cauldron: Realism & Fairy Tale Logic in “Albatross”
By Amelia Brown • Daisy Johnson is quite obviously inspired by folklore in her debut collection of stories, Fen—her pages are home to sentient objects, immortal monsters, and animal transformations galore. In fact, Johnson’s stories pledge their allegiance to two narrative…
Read MoreReaching Out: Endings of Joy Williams
By Elizabeth Mayer • Death and loss and decay pervade the stories of Joy Williams’s collection Escapes. If a character is not facing the immediacy of their own death, often they are mourning the loss of someone close to them. Yet…
Read MoreThe Art of Description in A.S. Byatt’s “The Chinese Lobster”
By Chaya Bhuvaneswar • The display is brightly lit, and arranged on a carpet of that fierce emerald-green artificial grass used by greengrocers and undertakers. Round the edges on open shells, is a border of raw scallops, the pearly flesh dulling,…
Read MoreA Closer Look: WARNINGS FROM THE FUTURE
Warnings From the Future is a debut collection of ten short stories by Ethan Chatagnier, published by Acre Books. Chatagnier is clearly interested in playing with form in his work, and a number of these stories allow the form and…
Read MoreInterview: Katya Apekina
CRAFT: Your debut novel, The Deeper the Water the Uglier the Fish, is written in short sections, with the POV shifting frequently between two main characters, but also giving us glimpses into more ancillary characters through occasional narration, but also…
Read MoreArtifacts: On Revising Older Stories
By Laura Rock Gaughan Faced with the happy prospect of preparing Motherish, my short story collection and first book, for publication, I panicked. Not only did the task demand a decisiveness I lack, but I wanted to be moving on:…
Read MoreA Closer Look: “The Lovers,” by Nick White
Nick White’s story, “The Lovers,” is the opening story in his collection, Sweet & Low, published in June, 2018. Originally published in The Literary Review, this story masterfully uses a point-of-view that moves back and forth between the two main…
Read MoreCRAFT Talks and Elements
Since we launched in October 2017, CRAFT has published quite a number of CRAFT Talks and CRAFT Elements on different topics. We’ve gathered them together here. Take some time this holiday weekend to read up on craft, as you prepare…
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