CRAFT
Favorite First Sentence: WAYS TO DISAPPEAR
“In a crumbling park in the crumbling back end of Copacabana, a woman stopped under an almond tree with a suitcase and a cigar.” Ways to Disappear, Idra Novey’s debut novel, is about a South American writer who has disappeared,…
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Switching Tenses
Most writers, it seems, prefer one tense over another. Many of us use the past tense as our default, as it allows for foreshadowing, and, conversely, it allows reflection from the present “telling” moment. We’re telling a story of which…
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Map Research
I will confess: I like maps. I like understanding where I’ve been, where I am, and where I’m going. And I love Google and/or Apple Maps. The satellite view, the street view, directions, walking distance, the whole thing. I can…
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Collective Voice: WE THE ANIMALS
We the Animals, by Justin Torres, is a wonderful example of the use of the collective voice in fiction. There are, of course, many other classic works that use this voice, including the novels The Virgin Suicides by Jeffrey Eugenides…
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Story and Plot: Finding Meaning
In studying the craft of fiction, story and plot seem like simple enough concepts: story is the chronological sequence of events while plot is those same events, reordered by the author. In an attempt to consider how to construct meaning…
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Linked Story Collections: SWALLOWED BY THE COLD
Linked story collections often seem like that halfway point between a collection of unconnected stories and a novel. Done well, a linked collection can add up to something more than its parts, a reading experience that expands beyond the limits…
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NAMING THE WORLD, Bret Anthony Johnston
Naming the World, Bret Anthony Johnston, editor Penguin Random House, 2007 Naming the World is a craft class in a book. Edited by the writer Bret Anthony Johnston, the book is broken into typical craft chapters: Plot and Narration, Dialogue…
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10 Writing Tips for the Holidays
Or, How Good Writing is Just Like Good Conversation By Natalie Serber Much to my delight, The New York Times Magazine recently published a feature on “The Art of the Dinner Party.” Along with recipes (try this one for my…
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Interview: Mary Kuryla
Holly Willis: You are both a filmmaker and a fiction writer: how do those two very different vocations influence each other and in turn impact your work? Mary Kuryla: I started as an English major in college — though I…
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