CRAFT
HIDDEN MACHINERY, Margot Livesey
Hidden Machinery, Margot Livesey Tin House Books, 2017 A collection of ten essays on writing by the great Margot Livesey is a book to be savored, to be read again and again. A thoughtful reader as well as writer, Livesey’s…
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Novel Structure: Two Timelines
The Twelve Lives of Samuel Hawley, the newest novel by Hannah Tinti, uses two separate timelines as its primary structure. The first timeline follows Samuel Hawley and his daughter Loo after they have moved back to a fishing village north…
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Dialogue at Cross-Purposes
Dialogue is the one of tools we have for showing us who the characters are and how they relate to each other. The best dialogue includes some amount of subtext and conflict. One of the good ways to get at…
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CRASH COURSE, Robin Black
Crash Course, Robin Black Engine Books, 2016 This lovely collection houses a series of essays on writing and on life. Many of the short essays live in the place where writing and life intersect, and as the book progresses, you…
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Secrets in Fiction
The word “secret” comes from the Latin verb secernere; se: to set apart and cernere: to sift. The etymology of the word seems particularly appropriate for fiction: as both readers and writers, we are always sifting through a story in…
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Reflecting the Interior
Some of the great writers use little interiority. They focus, instead, on showing us how the character views the world. Through these moments—when we are looking through the character’s eyes at a room, a character, a landscape—we learn almost more…
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SEVERAL SHORT SENTENCES ABOUT WRITING, Verlyn Klinkenborg
Several Short Sentences About Writing, Verlyn Klinkenborg Penguin Random House, 2012 There is much good advice in Klinkenborg’s book, and the way that it is written—in a series of sentences and passages—makes it an easy book to read. It feels…
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Conflict in Dialogue
The word “conflict” is from the Latin verb confligere: con, together; and fligere, to strike. Many writers seem to be at home with the idea of togetherness: we usually create multiple characters in our fiction; we write stories with more…
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Novel Structure: Multiple Points-of-View
In The Gypsy Moth Summer, Julia Fierro uses six different narrators to tell us the story of the inhabitants of a small island in New York during the summer of 1992. The novel is broken into five parts, with a…
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THE MAKING OF A STORY, Alice LaPlante
The Making of a Story, Alice LaPlante W.W. Norton, 2007 At a whopping 642 pages, LaPlante’s craft book is extremely comprehensive. Each of the fourteen chapters includes well-developed essays on elements of craft, exercises, and readings. The chapters cover plot,…
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