CRAFT
Favorite Opening: “North Of,” Marie-Helene Bertino
Favorite Opening: “North Of,” Marie-Helene Bertino There are American flags on school windows, on cars, on porch swings. It is the year I bring Bob Dylan home for Thanksgiving. We park in front of my mom’s house—my mom, who has…
Read More
Withholding Information
Has this happened to you? You have a good idea for an ending of a short story. You figure out the plot twist that will bring together the various narrative threads. You think of that “aha” moment that will crystallize…
Read More
Book Review: RAGGED; OR, THE LOVELIEST LIES OF ALL
Ragged; or, The Loveliest Lies of All, by Christopher Irvin Reviewed by Nick Fuller Googins For those who tire of life in the Anthropocene, with near-daily headlines reminding us of the many ways our species continues destroying vibrant swaths of…
Read More
Same Style, Different Content
Borrowing a craft element from another writer can be a great way to kickstart a new project, or re-energize an existing one. There are many ways to do this, of course, but here we want to focus on borrowing the…
Read More
HIDDEN MACHINERY, Margot Livesey
Hidden Machinery, Margot Livesey Tin House Books, 2017 A collection of ten essays on writing by the great Margot Livesey is a book to be savored, to be read again and again. A thoughtful reader as well as writer, Livesey’s…
Read More
Novel Structure: Two Timelines
The Twelve Lives of Samuel Hawley, the newest novel by Hannah Tinti, uses two separate timelines as its primary structure. The first timeline follows Samuel Hawley and his daughter Loo after they have moved back to a fishing village north…
Read More
Dialogue at Cross-Purposes
Dialogue is the one of tools we have for showing us who the characters are and how they relate to each other. The best dialogue includes some amount of subtext and conflict. One of the good ways to get at…
Read More
CRASH COURSE, Robin Black
Crash Course, Robin Black Engine Books, 2016 This lovely collection houses a series of essays on writing and on life. Many of the short essays live in the place where writing and life intersect, and as the book progresses, you…
Read More
Secrets in Fiction
The word “secret” comes from the Latin verb secernere; se: to set apart and cernere: to sift. The etymology of the word seems particularly appropriate for fiction: as both readers and writers, we are always sifting through a story in…
Read More
Reflecting the Interior
Some of the great writers use little interiority. They focus, instead, on showing us how the character views the world. Through these moments—when we are looking through the character’s eyes at a room, a character, a landscape—we learn almost more…
Read More