fbpx
>

Exploring the art of prose

Menu

CRAFT

Image is the book cover for THE BRITTANYS; title card for Charlotte Foreman's interview with Brittany Ackerman.

Interview: Brittany Ackerman

January 3, 2023

  I found Brittany Ackerman’s piece “Mia’s Birthday” in Forever Magazine in the summer of 2021, in the midst of an intolerably painful breakup for which I was wholly to blame. Asked to write an introduction for our conversation, I…

Read More
Image is the book cover for THESE GHOSTS ARE FAMILY; title card for Suzanne Grove's new interview with Maisy Card.

Interview: Maisy Card

December 1, 2022

  CRAFT is ever grateful to award-winning debut novelist Maisy Card, who served as this year’s guest judge for our 2022 First Chapters Contest. Maisy has chosen the three winning excerpts, which will be featured this month, starting tomorrow. To…

Read More
Image is the book cover for THE MAN WHO COULD MOVE CLOUDS; title card for Jacqueline Doyle's new interview with Ingrid Rojas Contreras.

Interview: Ingrid Rojas Contreras

November 18, 2022

  CRAFT is thrilled to welcome Ingrid Rojas Contreras as guest judge for our 2022 Creative Nonfiction Award. Rojas Contreras was born and raised in Bogotá, Colombia. Hailed as “original, politically daring, and passionately written” by Vogue, her first novel, Fruit of…

Read More
Image is a photograph of a wooden board wall dripping water into a pool, causing ripples; title card for the new critical essay "Crafting Endings in Short Fiction" by Jennifer Murvin.

Crafting Endings in Short Fiction

November 8, 2022

  By Jennifer Murvin • There are two quotations I often turn to when thinking about ending a short story; the first comes from Flannery O’Connor, in her essay, “On Her Own Work,” which reads, “I often ask myself what makes…

Read More
alt text: image is the book cover for CHOUETTE by Claire Oshetsky; title card for the new hybrid interview between Cavar Sarah and Claire Oshetsky

Hybrid Interview: Claire Oshetsky

November 1, 2022

  Essay by Cavar Sarah • I have never understood the fear of birds. “Because they are so far from us,” I am told by well-meaning humans. “Because we lack ways to tell what they are feeling.” I try to…

Read More
alt image: image is a gray and blue book cover for ISADORA; title card for Melissa Benton Barker's new interview with Amelia Gray

Interview: Amelia Gray

October 7, 2022

  The editors at CRAFT are thrilled to welcome Amelia Gray as the guest judge of our 2022 Amelia Gray 2K Contest, which is open to microfiction, flash fiction, and prose poetry pieces under two thousand words. Gray is a…

Read More
alt text: image is a purple and pink book cover image for PATHOLOGICAL by Sarah Fay; title card for Sadaf Ferdowsi's new interview with Sarah Fay

Conversations Between Friends: Sadaf Ferdowsi and Sarah Fay

October 5, 2022

  In the winter of 2014, Sadaf Ferdowsi took a creative nonfiction class taught by Dr. Sarah Fay. A longtime contributor at The Paris Review, Fay taught her the interview form while instilling a healthy suspicion on the limits of…

Read More
alt text: image is a photograph of black tires in a matrix against a white background; title card for the craft essay "Wisdom and Wisdom Teeth: Against Relatability" by Karen Babine

Wisdom and Wisdom Teeth: Against Relatability

September 30, 2022

  “The human life is individual; it is not unique.” —Bee Yang, via Kao Kalia Yang “There are two types of people in the world: them who have and them who will.” —Dad By Karen Babine • Over the years,…

Read More
alt text: image is two book covers, HEALING CIRCLE and SUE MELL; title card for a conversation between Coco Picard and Sue Mell

Conversations Between Friends: Coco Picard and Sue Mell

September 26, 2022

  Consider the personal effects one leaves behind, the way those objects, once laid out, recall the idiosyncratic logic of a life—is there more compelling inspiration for a novel? Authors Coco Picard and Sue Mell met through the BookEnds SUNY…

Read More
alt text: image is a colorful book cover for THIS DISCONNECT; title card for Tyler Barton's new interview with Roisin Kiberd

Hybrid Interview: Roisin Kiberd

September 6, 2022

Essay by Tyler Barton • Someone recently asked me why I set many short stories in the aughts. It’s true that I have a fascination with those years because they were my formative ones, ones in which I was not…

Read More