CRAFT ESSAYS, ELEMENTS, and TALKS
The Art of Description in A.S. Byatt’s “The Chinese Lobster”
By Chaya Bhuvaneswar • The display is brightly lit, and arranged on a carpet of that fierce emerald-green artificial grass used by greengrocers and undertakers. Round the edges on open shells, is a border of raw scallops, the pearly flesh dulling,…
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A Closer Look: WARNINGS FROM THE FUTURE
Warnings From the Future is a debut collection of ten short stories by Ethan Chatagnier, published by Acre Books. Chatagnier is clearly interested in playing with form in his work, and a number of these stories allow the form and…
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Artifacts: On Revising Older Stories
By Laura Rock Gaughan Faced with the happy prospect of preparing Motherish, my short story collection and first book, for publication, I panicked. Not only did the task demand a decisiveness I lack, but I wanted to be moving on:…
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A Closer Look: “The Lovers,” by Nick White
Nick White’s story, “The Lovers,” is the opening story in his collection, Sweet & Low, published in June, 2018. Originally published in The Literary Review, this story masterfully uses a point-of-view that moves back and forth between the two main…
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Mystery vs. Confusion
By Sarah Stone In writing fiction, we’re always looking for ways to manage the release and restraint of information, introducing our characters and situations while avoiding the dreaded exposition junk pile at the beginning (many of us do have a…
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The Hook: More Than The Opening Line
By Tommy Dean Think about your favorite verbal storytellers, those people in your family who have passed down the history of the joys and tragedies, the small coincidences, and the shared DNA that results in a similar nose, an ornery…
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Object Lessons: An Exploration
By Laura van den Berg This summer, I spent five weeks at an artists’ residency in Italy, where I had the good fortune of crossing paths with a Swedish composer-performer and visual artist named Charlotte Hug. Known for her musical-visual…
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A Closer Look: ORCHID & THE WASP, Caoilinn Hughes
In Orchid & the Wasp, Caoilinn Hughes has created a singular character in Gael Foess. From the opening pages, set in Ireland in 2002 when Gael is only 11, to the conclusion, when 20-year-old Gael is back in Dublin in…
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Toward Inspiration as Craft
By Mercedes Lucero Until recently, I had a very clear notion of what craft meant. It meant technique. Literary devices. Structure. Figurative language. Setting. Point of view. In short, it meant what happens on the page. It meant careful construction.…
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Realistic Absurdity in DeLillo’s WHITE NOISE
By Christina Ward-Niven There is so much to admire, craft-wise, in Don DeLillo’s classic novel White Noise: compelling, empathetic characterization; sharp dialogue; handling of theme through plot and subtext; a tone that consistently weaves wryness with heart. In this essay,…
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