CRAFT ESSAYS, ELEMENTS, and TALKS
Mystery vs. Confusion
By Sarah Stone In writing fiction, we’re always looking for ways to manage the release and restraint of information, introducing our characters and situations while avoiding the dreaded exposition junk pile at the beginning (many of us do have a…
Read MoreThe Hook: More Than The Opening Line
By Tommy Dean Think about your favorite verbal storytellers, those people in your family who have passed down the history of the joys and tragedies, the small coincidences, and the shared DNA that results in a similar nose, an ornery…
Read MoreObject Lessons: An Exploration
By Laura van den Berg This summer, I spent five weeks at an artists’ residency in Italy, where I had the good fortune of crossing paths with a Swedish composer-performer and visual artist named Charlotte Hug. Known for her musical-visual…
Read MoreA Closer Look: ORCHID & THE WASP, Caoilinn Hughes
In Orchid & the Wasp, Caoilinn Hughes has created a singular character in Gael Foess. From the opening pages, set in Ireland in 2002 when Gael is only 11, to the conclusion, when 20-year-old Gael is back in Dublin in…
Read MoreToward Inspiration as Craft
By Mercedes Lucero Until recently, I had a very clear notion of what craft meant. It meant technique. Literary devices. Structure. Figurative language. Setting. Point of view. In short, it meant what happens on the page. It meant careful construction.…
Read MoreRealistic Absurdity in DeLillo’s WHITE NOISE
By Christina Ward-Niven There is so much to admire, craft-wise, in Don DeLillo’s classic novel White Noise: compelling, empathetic characterization; sharp dialogue; handling of theme through plot and subtext; a tone that consistently weaves wryness with heart. In this essay,…
Read MoreMultiple Storylines
Novels almost always include multiple storylines. But when it comes to short stories, whether it’s due to the brevity of space, or the intense focus on the primary storyline, we often see stories that only travel one path. This tendency…
Read MoreInteriority Complex
by Rebecca Makkai It’s hard enough to make our characters act, make them do and say interesting things. You know what’s harder? Well, lots of stuff. Coal mining, for one. Come on, writing is a pretty cushy job. But here’s…
Read MoreCharacter’s Imagination
Exploring the imagination of a character is a wonderful way to allow the reader insight into the way a character thinks and behaves. How characters behave with others—their actions and their words—can move a story forward and, of course, are…
Read MoreA Closer Look: RESTLESS SOULS, Dan Sheehan
A novel that follows a trio of childhood friends from Dublin to northern California, Dan Sheehan’s debut novel, Restless Souls, nicely investigates male friendship as well as the impact of trauma. Strong first-person voices provide a narrative that flows easily, with…
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