CRAFT ESSAYS, ELEMENTS, and TALKS
Character Research
When it comes to doing research for a novel or story, the resources are endless. We typically turn first to non-fiction sources, writers documenting the history of the time. Often, though, these accounts are written after-the-fact as the historian makes…
Read MoreFavorite First Sentence: WAYS TO DISAPPEAR
“In a crumbling park in the crumbling back end of Copacabana, a woman stopped under an almond tree with a suitcase and a cigar.” Ways to Disappear, Idra Novey’s debut novel, is about a South American writer who has disappeared,…
Read MoreSwitching Tenses
Most writers, it seems, prefer one tense over another. Many of us use the past tense as our default, as it allows for foreshadowing, and, conversely, it allows reflection from the present “telling” moment. We’re telling a story of which…
Read MoreMap Research
I will confess: I like maps. I like understanding where I’ve been, where I am, and where I’m going. And I love Google and/or Apple Maps. The satellite view, the street view, directions, walking distance, the whole thing. I can…
Read MoreCollective Voice: WE THE ANIMALS
We the Animals, by Justin Torres, is a wonderful example of the use of the collective voice in fiction. There are, of course, many other classic works that use this voice, including the novels The Virgin Suicides by Jeffrey Eugenides…
Read MoreStory and Plot: Finding Meaning
In studying the craft of fiction, story and plot seem like simple enough concepts: story is the chronological sequence of events while plot is those same events, reordered by the author. In an attempt to consider how to construct meaning…
Read More10 Writing Tips for the Holidays
Or, How Good Writing is Just Like Good Conversation By Natalie Serber Much to my delight, The New York Times Magazine recently published a feature on “The Art of the Dinner Party.” Along with recipes (try this one for my…
Read MoreFirst Person Direct Address
Most of the time, our narrators are speaking directly to our readers. We may not do so as directly as Charlotte Bronte (“Reader, I married him.”) but it is implied, no matter the voice that we’re using. Second person can…
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