CRAFT ESSAYS, ELEMENTS, and TALKS
Dialogue at Cross-Purposes
Dialogue is the one of tools we have for showing us who the characters are and how they relate to each other. The best dialogue includes some amount of subtext and conflict. One of the good ways to get at…
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Secrets in Fiction
The word “secret” comes from the Latin verb secernere; se: to set apart and cernere: to sift. The etymology of the word seems particularly appropriate for fiction: as both readers and writers, we are always sifting through a story in…
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Reflecting the Interior
Some of the great writers use little interiority. They focus, instead, on showing us how the character views the world. Through these moments—when we are looking through the character’s eyes at a room, a character, a landscape—we learn almost more…
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Conflict in Dialogue
The word “conflict” is from the Latin verb confligere: con, together; and fligere, to strike. Many writers seem to be at home with the idea of togetherness: we usually create multiple characters in our fiction; we write stories with more…
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Novel Structure: Multiple Points-of-View
In The Gypsy Moth Summer, Julia Fierro uses six different narrators to tell us the story of the inhabitants of a small island in New York during the summer of 1992. The novel is broken into five parts, with a…
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Favorite First Sentence: THAT NIGHT, Alice McDermott
Favorite First Sentence: That Night, Alice McDermott That night when he came to claim her, he stood on the short lawn before her house, his knees bent, his fists driven into his thighs, and bellowed her name with such passion…
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