CRAFT ESSAYS, ELEMENTS, and TALKS
Hybrid Interview: Nora Decter
Essay by Rachel León • I met Nora Decter over Zoom when we were tasked to outline her forthcoming novel, What’s Not Mine. We were both fellows in Stony Brook University’s BookEnds program, paired to work together on our…
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Her Own Elephant Outright
By Joseph Young • Writers are often told, whether by their instructors or about the internet in general, that in their finished stories, there should be no wasted words, no extraneous sentences, no details or lines of dialogue, that…
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Hybrid Interview: Leslie Jamison
Essay by Yvonne Conza • In Splinters, Leslie Jamison exposes a live nerve that makes vivid connections between emotions of motherhood, marriage, artistry, and selfhood. Alive and strengthened within this endeavor is Jamison’s iconic, singular awareness, that like her…
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Insinuating Life: Diction and Syntax in the Short Story
By Rose Smith • Here’s something I am curious about: when is a well-placed flourish, maybe even a flurry of adjectives and adverbs, perfect for a story, and when are the simplest of sentences called for? Two stories came…
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Beyond Binary Thinking: Writing Cruelty Without Inflicting Harm
By Claire Polders • Kinship I’m married to an American, have visited the United States in the past two decades on at least two dozen occasions, and have spent time in seven different states, but the rural and rather…
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The Lonely Voice in Its Bathrobe: A Life of Letters
Excerpted from Late Work: A Literary Autobiography of Love, Loss, and What I Was Reading By Joan Frank • What is it, finally, about letters? Why does this old-fashioned form, even maimed and shrunken, volleyed mostly through ether…
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Life, the Universe, and Everything: A Primer on the Writing of Autofiction
By Sarah Twombly • I am at work on a novel, and have been for more than a decade. It is autobiographical fiction, which is to say it’s about me, but also, it isn’t. The same way Einstein might…
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On Crafting the Memoir in Pieces
By Beth Kephart • The writer of the memoir in pieces is an assembly artist—a hunter, a gatherer, an arranger, a culler, a keeper. They are not at work on a collection of essays loosely bound by voice, style,…
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Hybrid Interview: Tommi Parrish
Essay by Erin Vachon • The opening panel of Tommi Parrish’s brilliant graphic novel Men I Trust—out now from Fantagraphics—centers a clothesline, laundry drying in spare daylight. Parrish populates the world with bodies soon enough. Eliza is a single…
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Inherited Language
By Nick Almeida • If you had grown up in my house, “You’re dollaring me to death” would forever echo in your head. The phrase is one of my mother’s favorites, inextricably linked to any requests for small amounts…
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