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CRAFT ESSAYS, ELEMENTS, and TALKS

alt text: image is a photograph of black tires in a matrix against a white background; title card for the craft essay "Wisdom and Wisdom Teeth: Against Relatability" by Karen Babine

Wisdom and Wisdom Teeth: Against Relatability

September 30, 2022

  “The human life is individual; it is not unique.” —Bee Yang, via Kao Kalia Yang “There are two types of people in the world: them who have and them who will.” —Dad By Karen Babine • Over the years,…

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alt text: image is a colorful book cover for THIS DISCONNECT; title card for Tyler Barton's new interview with Roisin Kiberd

Hybrid Interview: Roisin Kiberd

September 6, 2022

Essay by Tyler Barton • Someone recently asked me why I set many short stories in the aughts. It’s true that I have a fascination with those years because they were my formative ones, ones in which I was not…

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alt text: image is a color photograph of textured orange stripes; title card for the craft essay "Against Twists" by Vera Kurian

Against Twists

August 30, 2022

  By Vera Kurian • How I wish I could go back and watch The Sixth Sense for the first time again, because when I first saw it, someone had already revealed the twist to me. In retrospect, it was…

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alt text: image is the color book cover for YOU NEVER GET IT BACK; title card for Samantha Dilling's new interview with Cara Blue Adams

Hybrid Interview: Cara Blue Adams

August 15, 2022

  Essay by Sam Dilling • Cara Blue Adams’s debut short story collection, You Never Get It Back, is a nuanced portrait of love, loss, and longing. The stories follow the life of Kate Bishop, the central character, from childhood,…

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alt text: image is a color photograph of a few birds flying in an overcast sky; title card for the craft essay "Art of the Opening: Microcosm to Macrocosm" by Albert Liau

Art of the Opening: Microcosm to Macrocosm

July 25, 2022

  How “The Ghost Birds” Spreads Its Wings after Taking the Leap By Albert Liau • How does a story begin to enchant us? When speaking with First Draft host Mitzi Rapkin, Richard Powers seems to suggest an answer: “You…

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alt text: image is a color photograph of tangled thread; title card for the craft essay "In the Expanded Field: The Lyric Essay & Genre Queerness" by Katy Scarlett

In the Expanded Field: The Lyric Essay & Genre Queerness

July 15, 2022

  By Katy Scarlett • In 1979, Rosalind Krauss published her now-famous essay “Sculpture in the Expanded Field,” which explored how new forms of three-dimensional art-making borrowed from sculpture, monument, architecture, interior and landscape design. She writes, “as the 1960s began…

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Hybrid Interview: Sara Lippmann

May 31, 2022

  Essay by Michelle Ross • Since the first time I read a Sara Lippmann story, I’ve been smitten. Among the inventory of qualities I admire is her wit, her raw honesty, her faith in her readers’ ability to keep…

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Image shows the brown-and-tan skin pattern of a live snake; title card for Anne Elliott's new craft essay, "Radical Empathy via Free Indirect Speech: Luis Alberto Urrea’s 'Mountains Without Number.'"

Radical Empathy via Free Indirect Speech: Luis Alberto Urrea’s “Mountains Without Number”

May 17, 2022

  By Anne Elliott • One of the noble aims of fiction is the fostering of empathy across difference, including difference of beliefs. Most difficult for me is finding empathy for those with unpalatable beliefs. Softening my gaze puts my…

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Conversations Between Friends: Gale Massey and Louise Marburg

March 29, 2022

  Gale Massey and Louise Marburg met in 2016 at the Sewanee Writers’ Conference over a tarot card consultation. Discovering a shared interest in exploring the dark side of human nature, they immediately clicked and have been friends and writing…

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alt text: image is a color photograph of a rabbit with its identity obscured by a black bar; title card for Lee Upton's new craft essay "Never Rush a Rabbit"

Never Rush a Rabbit: Prey Animals & Choices in Fiction

March 15, 2022

  By Lee Upton • Probably like many writers I’m protective toward my characters—even though I put them in impossible situations or give them unfulfillable longings. I pretty much pickle them in vulnerability. Sometimes I let them avoid any action…

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