Sibling Circus & Hooked by Meg Pokrass
Sibling Circus My brother was addicted to dog biscuits and this might have been how our act started. When our mother arrived, he’d pop one in his mouth, throw one to the real dog and then toss one to…
Sibling Circus My brother was addicted to dog biscuits and this might have been how our act started. When our mother arrived, he’d pop one in his mouth, throw one to the real dog and then toss one to…
We arrive in the raspberry fields when it’s dark. It’s dark when we pile out of our secondhand pickup. My father, my mother. My brother and me. It’s dark when we start walking the rutted, sopping dirt road that…
Our therapist made us go camping. Her suggestion was to sleep outdoors for three nights and then get a hotel room. She said camping would force us to rely on each other for comfort, and the hotel stay would…
Each year we are privileged to be able to nominate work for anthologies and awards including Best of the Net, Best Microfiction, Best Small Fictions, the PEN/Robert J. Dau Short Story Prize for Emerging Writers (Best Debut Short Stories), and…
You fluff the white rice for lunch. Aroma of fermented soybean paste stew wafts in the air. Gazing out the open window, you tense. You slap the rice paddle on the counter and rush outside, charging headfirst across the…
I’ve been listening to Brad Listi’s Otherppl podcast for years, very used to his voice and candor, but I didn’t pick up his fiction until he flipped the script and sat as a guest on his own show. In…
Gordon Bishop, fifty-six, is a one-eyed, one-legged, one-breasted single father. He is a native New Yorker who shares an antique-filled one-bedroom apartment in Hell’s Kitchen with his teenage daughter. Every night, Gordon sits at his desk wearing tighty-whities and…
When my mother died, I inherited a sizeable goldenrod-coloured envelope; inside, I discovered birthday cards given to me from family members throughout my childhood, handmade get-well cards crafted by classmates upon the occasion of having one of several surgeries…
“My memory serves me far too well.” —George Michael 1979 I’ve heard the story a hundred times. Fourteen phone call attempts before my mother snagged my brother’s first babysitter, Sarah, a quick-witted high school sophomore. She showed up from…
BAŅUTA RUBESS pioneered feminist theatre and contemporary opera to national renown in Canada and Latvia. She has lived in four countries and writes in two languages. She has written plays, libretti, radio drama, television biopics, stories, and…
“But I’m not an artist,” I protest.
I’m studying with the formidable Kyo Maclear, who often includes her own sketches in her writing. (See Birds, Art, Life.) Kyo invites us to make collages, and I balk. I turn images into words, not vice versa. Or so I think. But I can’t say no to Kyo. She distributes magazines, origami papers, Sharpies, glue. She recommends a site called Canva. I pick up the scissors, the glue; I take one step, another, and then I don’t stop.
Never underestimate the pleasure of scrawling on a page, of assembling objects linked by association, like reaching for a pine-scented candle and planting it on a map of your road trip, and voilà, there’s the story of your father’s travails. There is a childish glee in shaking out tiny paper bits from your three-hole punch across words about fear and thinking, “That’s all I need to say.” The eye and the hand circumvent calculated thought; they whip up their own dish. My first draft of “Four Words” aimed to be more gamelike, interactive, a piece in which you could click on a map and snippets of text jump up. But I lacked the technical skills to construct that kind of work. And now I prefer the messiness of random-seeming text boxes pasted across a PowerPoint slide.
I’d written 95,000 words about my father for a memoir called Bruno Slept Here; I’d read a score of books and interviewed a bevy of experts. But Kyo’s prompt let me vault across all the facts to a visual poem about what keeps you going amidst the mayhem of war.
I’m indebted to Rebecca Solnit’s book The Faraway Nearby for the idea of running an independent string of text at the bottom of the page.
BAŅUTA RUBESS pioneered feminist theatre and contemporary opera to national renown in Canada and Latvia. She has lived in four countries and writes in two languages. She has written plays, libretti, radio drama, television biopics, stories, and has devised site-specific productions for a beach and a mansion. She has been nominated for many awards and has won a few, including Best Play, Best Director, and Best Short Story. Her writing is published in Aesthetica (UK), Creative Nonfiction (US), and Domuzīme (Latvia). Baņuta lives in Toronto and is writing a memoir about the personal cost of surveillance. Follow her voracious reading habits on Funny, You Don’t Look Bookish. Find her on Twitter @banuta or Instagram @labagne.