By Matthew Duffus • In a June 2014 interview with The White Review, Diane Williams described one of her writing goals as “to provide some mystery, a place to meditate, where I might be nearing a new insight, if…
Essay by Nicole Barney • “Your opening line is a throwaway,” Molly Gloss said during workshop, not unkindly, just matter-of-factly. “An editor wouldn’t read past it.” Granted, my first sentence was no Dickensian gem. It presented no intriguing riddle…
For a year she saved her pennies in a red earthen pot lined with plastic wrap, which had formerly housed a chrysanthemum plant. The pot, clean, but still displaying some hardened dirt around the edges, occupied the center of…
The boy woke to the sound of his father grabbing the gun. He heard his father sit up in bed, heard his feet touch the floor. Heard him switch the safety on and clear the round in the chamber.…
By Amelia Brown • Daisy Johnson is quite obviously inspired by folklore in her debut collection of stories, Fen—her pages are home to sentient objects, immortal monsters, and animal transformations galore. In fact, Johnson’s stories pledge their allegiance to two narrative…
By Elizabeth Mayer • Death and loss and decay pervade the stories of Joy Williams’s collection Escapes. If a character is not facing the immediacy of their own death, often they are mourning the loss of someone close to them. Yet…
Twenty years had passed since I’d last seen the Beast. We were seventeen and embarrassed of one another back then. I’d asked him to prom. He agreed on the conditions that I would cover expenses, and that we would have…
On Ending Polyphonic Novels by Rachel King I write multivoiced fiction, a technique also known as writing polyphonically, from the musical technique polyphony, where two or more melodies are played at once. However, in writing, unlike in music, different voices…
