Eight Months by Gilbert Arzola
January Two old men used to live next to each other. One is dead and the other is dying. The one that is dead planted a garden. The one that is dying is my father. My father sits in…
January Two old men used to live next to each other. One is dead and the other is dying. The one that is dead planted a garden. The one that is dying is my father. My father sits in…
Riding the night streets wrapped in our tight young skin, brave-stupid and untamed, magic bursting from our pores like new stars. We met under the sign of the flying horse, the vacant shell of an old gas station, our…
Couch You could call the color of the upholstery rust, but it was rust chasing a pattern. Blanket Harshly fibered, it was never quite white. Arrangement She couldn’t arrange herself after what they’d done to her. Then It started…
Moores lived next door. He worked construction; she stayed home. I don’t know how old he was, but I remember that on her birthday, she turned twenty-two. It seemed old. I was twelve. Moores had a baby, Sidney. Their…
Essay by Jahzerah Brooks • The Eight Mile Suspended Carnival is, at its core, a story about tearing down and building up. In this debut novel set against the backdrop of a working carnival and a wartime munitions factory,…
The way Appa held the sponge-tipped brush of white shoe polish. The way he ran the snowy viscosity over my scuffed canvas shoes, on top of the laces, around the eyelets. The way he placed my shoes under the…
You are walking home from school. The year is 1983 and you’re 9 or 11 or 13, some awkward age when even the air hurts your thin skin. Maybe it’s the hole in the ozone the news is just…
Later, after my uncle’s suicide, the gun cabinet would be moved into the attic, but in the early eighties it still stood in the upstairs hall, just outside my bedroom door. An unassuming wooden display case with twin glass-paned…
Fan Jou Suri Served at the end of a meal, fan jou suri isn’t a dessert. Or, technically, a soup. But for my brother and me, youngsters living in Boston in the early 1960s, parents pinching every penny, fan…
Last Cut All firsts. You let me drive. You let me choose the radio station. You rested your huge head against the headrest, closed your eyes. Never a willing passenger. Seventy-five quiet kilometres to the London Regional Palliative…
After a long well-fought battle with cancer, my brother left this world far too young. He left three children and a load of powerful memories that I have no idea where to put. He was two years my senior and extremely competitive. Sports and fighting were our only method of communication. Win or lose was our emotional intelligence inheritance. We shared a great love for each other but few words, so I search for them continually in his memory.
As for form, I just try to keep it as short as possible and factual, which isn’t as easy, as my imagination is as strong as he was—infinitely horsepowered. I send these caught moments into the world with hope that they will help others house their own memories.
I miss playing our games, Jon. Miss you, brother.
DM O’CONNOR has an MFA from University College Dublin and the University of New Mexico. He is a contributing reviewer for Rhino Poetry and fiction editor at Bending Genres. His work has appeared in Splonk, A New Ulster, Fractured Lit, Cormorant, Crannog, Opossum, The New Quarterly, The Irish Times, The Guardian, and others. He is the recipient of the 2021 Cúirt New Writing Prize, Tom-Gallon Trust Award, and is the current writer-in-residence at the Kerouac House.