Walkable City by Miriam Gershow
He was standing at the corner where we met every morning to walk to work because we were young and carless. I had gotten on a train and moved 2,000 miles for a walkable city. He had always lived…
He was standing at the corner where we met every morning to walk to work because we were young and carless. I had gotten on a train and moved 2,000 miles for a walkable city. He had always lived…
The trick is to write about the body without deploying the body, which has been strained by overuse and anyway tends to make objects or corpses of us: the animals in question. And, we are such animals; my sister…
I found Brittany Ackerman’s piece “Mia’s Birthday” in Forever Magazine in the summer of 2021, in the midst of an intolerably painful breakup for which I was wholly to blame. Asked to write an introduction for our conversation, I…
MAY Grandma Robbie led Anthem heart-center of the peaches, a quiet intersection between four groves, perfect as the holy cross. The trees weren’t much taller than Anthem. Tall as the big sister she never had. Growing up an only…
“The 2024 election will be all about Taiwan,” our boyfriend, Jeremy, says. We’ve turned off all the lights except the one over the stove in the attached kitchen, and now we’re getting high on the plaid sofa in the…
The smell of weed did nothing to calm Roland’s nerves as he reached the bottom of the stairs. He found her, the smoker, splayed out with a book on the long end of the couch in a bright blue…
Content Warnings—death by suicide, gun violence One morning a science teacher at the high school found the window of his lab smashed and a dead possum on the floor. In my memory, the teacher is all gray: gray pants…
Gale Massey and Louise Marburg met in 2016 at the Sewanee Writers’ Conference over a tarot card consultation. Discovering a shared interest in exploring the dark side of human nature, they immediately clicked and have been friends and writing…
September Every day we met for lunch in the art classroom in the school’s east wing. It was the woodshop before the woodshop closed—a cavernous space full of defanged band saws and belt sanders stewing in desuetude. The art…
I am humming along to Lucky Dube’s voice over the radio on the windowpane. The cavernous room swallows his tenor, leaving his words bare, airy, like scattered feathers in the sun. I do not know what it means to…
There is a hurry in the world. A kind of swift impatience for length and a longing for finality immersed in satisfaction. I think flash fiction poses as an entertaining company against the skipping time, and in this story, I tried to remind myself of the many times I sat at the library, at the park, on the bus, watching the people around me, inventing their lives, and being intentional about happy endings. But my imaginations are never reality. What art does to a writer is this—he believes in its magic, until he awakens.
This story captures quite an uncanny relationship between a mortician and a corpse. Writing this piece, I was aiming for an uncommon portrayal of the lives of people whose stories, I believe, matter, too. A mortician, a morgue, corpses, a confession, love, lust, loss: a string of extrospective imaginations wound into a flash fiction.
The introduction of sexuality here highlights my intent of telling the narrative of queerness. I am keen on telling lots of queer stories, exploring the lives of queer persons, especially on the continent of Africa. I believe ‘our’ stories matter, too. And I am most hopeful that these stories, queer stories, bring about change, positive change.
BRYAN OBINNA JOSEPH OKWESILI is a queer Nigerian poet and storyteller. His works explore the interiority and tensions of queerness in a heteronormative culture in which he imagines a world of inclusivity. He is a two-time Pushcart Prize nominee and a finalist for the Tupelo Quarterly Open Fiction Prize. His works appear or are forthcoming in SmokeLong Quarterly, SLICE, Isele Magazine, Foglifter, Tupelo Quarterly, Brittle Paper, The Rising Phoenix Review, Ghost City Review, The Shallow Tales Review, and elsewhere. He is currently a student of law at the University of Calabar, Cross River State, Nigeria.